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“Michael…was blown away by her music,” according to Brett. There was no romantic hint of anything at the time. ZAHN: Five years into Lisa’s marriage to Danny Keogh, the relationship was buckling. I didn’t really want to know him any better than I already did.” At this time, Lisa had recorded four songs produced by her husband.
“She played the tape and was really excited that Michael Jackson was here, and at that point, she looked like a fan of his. It was during this time that a fledgling friendship with Michael Jackson began to evolve. She felt she had a lot to say about her unusual life as daughter of an icon, and she was looking for a way to say it through her lyrics and music.
“I didn’t know anything about that business,” said Brett, “but I wanted to make sure that Lisa made a deal at the top level…by saying, ‘Hey, Elvis is the King and she’s the Princess. All she needs is Michael to help record at the highest possible level and help her choose the songs and teach her some presence on stage. When I suggested Michael could help her, she said, “He’s a superstar, do you really think he’d help me? According to Brett Livingstone, when Michael was about to leave, he offered Lisa a penetrating look and in a conspiratorial voice said, “You and me, we could get into a lot of trouble. Part of her was in “turmoil,” recalled Brett, “on her mind was ‘I have my kids,’ and she was in turmoil with her husband and what should she do?
And afterwards, Lisa kept calling me, and eventually, after the many calls and pursuits and my little bit of fairy dust that I sprinkled about the place, hey, those guys [got] together, and I thought, ‘Maybe they’ll record something,’ And I remember Lisa saying, ‘Brett, what do you want out of this?
’ and Michael Jackson asked me the same thing, and I thought, ‘Boy, there must be something happening here.’ I told Lisa, ‘You can give me whatever you think is fair,’ and I told Michael the same.